'OSX AN OPERA OF SILENCES'

Emilia Álvarez (b.1985) Visual and multidisciplinary Argentinian artist.
OSX AN OPERA OF SILENCES, 2022 Performance 30:00min
ArteBA Fair, 2022
@fondofluido stand invited by @disidentxs
Performer: Emilia Álvarez
Foto: María Langevín
ABOUT
The project began with the handmade creation of the bear suit, inspired by Fischli & Weiss’s Rat and Bear. Using the alter ego as a critical tool rooted in dark humor and the absurd, the OSX emerges as a displaced body questioning systems of hegemony and silencing. Central to the suit are hand-sculpted graphite claws. These claws repurpose graphite, an industrial material known for its conductivity and mechanical resistance, shifting it from a machine component to a tool for sculptural inscription.
In performances like ArteBA 2022, the OSX drags cotton paper with nautical ropes, eventually waking to obsessively draw Xs and flowers: each X marking a silenced soul and each flower validating an existence. This "minimal opera" of breath, sound, and stroke creates a territory where the repressed finds form, also functioning as a space of denunciation and inquiry into the cruelty of the act of silencing, as well as the power of tenderness and the courage to express what has been repressed. The resulting paper traces remain as drawing-sculptures, while the performance’s ambient sound is recorded by the bear with a handy recorder to be reused in future iterations.

OSX AN OPERA OF SILENCES, 2022
Guantes garras de grafito
Textil de piel artificial, lienzo, goma, metal, grafito esculpido a mano.
Emilia Álvarez (b.1985) Visual and multidisciplinary Argentinian artist.

OSX AN OPERA OF SILENCES, 2022
Graphite claw gloves
Artificial fur, canvas, rubber, metal, hand-sculpted graphite
50 x 15 cm

OSX UNA ÓPERA DE SILENCIOS Territory / Sailing, 2022
400 gsm cotton paper, nautical rope, plastic washers
212 x 152 cm

OSX AN OPERA OF SILENCES, 2022 Performance
ArteBA Fair, 2022
@fondofluido stand invitada por @disidentxs
Foto: María Langevín

'OSX AN OPERA OF SILENCES. HARD'
OSX HARD. BEAR MITTENS, 2024
Graphite claws
Hand-sculpted and hand-sanded graphite, rigid plastic modeled and 3D printed
Gasworks UK
ABOUT
OSX HARD is part of OSX An Opera of Silences, an ongoing project that unfolds through performance, installation, sculpture, drawing, and material research. The body of work consists of a series of OSX (bear) claw sculptures made of graphite in various materials and formats, OSX (bear) suits, and BDSM influenced devices designed for drawing performances and live DJ sets.
Exploring contemporary ecologies where animality, the human, and the non-human (cyborg) hybridize within the overflow of language. Trought this work I investigate animal technology in relation to human technology, focusing on the way language manifests through drawing. These signs function as a dispute over articulation, discovering alternative ways of inhabiting realities; here, each X represents a silenced individual, introducing a validation of presence and existence. These works are the result of research conducted at the Natural History Museum in London during a residency at Gasworks, UK. During this period, I studied animal claws, specifically from South American species, viewing them as "animal technology" in order to design drawing devices.
Emilia Álvarez Artist

OSX HARD. BEAR MITTENS, 2024
Miranda Bosch Gallery - MB Estimulo Prize 2025Emilia Álvarez Artist



OSX HARD, 2026 Live
Sound Live set 60:00min duration
BDM Suit grahite claws
FA GOT party Anniversary
Dorado Club Argentina
2026 Emi
2025lia Álvarez Artist

OSX HARD, 2025
Performance 30:00min duration
BDM Suit grahite claws and Performer -Emilia Álvarez
Music - @sofaloader originals mix ‘23-‘25
Pandora Gallery
Fashion week Berlin DE
2025 Emi
2025lia Álvarez Artist

OSX HARD. BEAR MITTENS, 2024
MB Estimulo Prize 2025
Miranda Bosch Gallery ArgentinaEmilia Álvarez Artist

OSX HARD, 2025
Hand-sculpted graphite claws, from graphite blocks, process.a Álvarez Artist


The OSX (bear) mutates into a BDSM universe, transforming its identity: mask, leather gloves, and a body traversed by tensions between submissive and dominant. To the rhythm of techno music produced specifically for the performance, the OSX (bear) draws landscapes of flowers, appealing to tenderness as a political gesture in the face of a world in decay. This mutation emphasizes the conflict between control, desire, fragility, and resistance. Detached fragments of paper subsequently become artworks. The character also performs as a LIVE DJ in nightclubs, playing live techno.


OSX HARD, 2025
Claws, models, and process in plaster and powdered graphite



